Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Sir Edward Coley Burne-jones,Bart.,ARA,RWS
Phyllis and Demophoon (mk46)

ID: 25991

Sir Edward Coley Burne-jones,Bart.,ARA,RWS Phyllis and Demophoon (mk46)
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Sir Edward Coley Burne-jones,Bart.,ARA,RWS Phyllis and Demophoon (mk46)


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Sir Edward Coley Burne-jones,Bart.,ARA,RWS

1833-1898   Related Paintings of Sir Edward Coley Burne-jones,Bart.,ARA,RWS :. | The Appearance of the Antichrist | Gravel Silo | Autumn in the Catskills (mk13) | Farmboy from Tegernsee | hornsgatan |
Related Artists:
School of Latium
First half of the thirteenth century
Hans Burgkmair
(1473 - 1531) was a German painter and printmaker in woodcut. Burgkmair was born in Augsburg, the son of painter Thomas Burgkmair and his son, Hans the Younger, became one too. From 1488 he was a pupil of Martin Schongauer in Colmar, who died during his two years there, before Burgkmair completed the normal period of training. He may have visited Italy at this time, and certainly did so in 1507, which greatly influenced his style. From 1491 he was working in Augsburg, where he became a master and opened his own workshop in 1498. Hollstein ascribes 834 woodcuts to him, mostly for book illustrations, with slightly over a hundred being "single-leaf", that is prints not for books. The best of them show a talent for striking compositions, and a blend, not always fully successful, of Italian Renaissance forms and underlying German style. From about 1508 he spent much of his time working on the woodcut projects of Maximilian I until the Emperor's death in 1519. He was responsible for nearly half of the 135 prints in the Trumphs of Maximilian, which are large and full of character. He also did most of the illustrations for Weiss Kunig and much of Theurdank. He was an important innovator of the chiaroscuro woodcut, and seems to have been the first to use a tone block, in a print of 1508.His Lovers Surprised by Death (1510) is the first chiaroscuro print to use three blocks.and also the first print that was designed to be printed only in colour, as the line block by itself would not make a satisfactory image. Other chiaroscuro prints from around this date by Baldung and Cranach had line blocks that could be and were printed by themselves.He produced one etching, Venus and Mercury (c1520),etched on a steel plate, but never tried engraving, despite his training with Schongauer.
Konrad Krzyzanowski
(1872-1922) was a Polish painter of powerful expressionist landscapes and vivid portraits, born in Kremenchuk in Ukraine. His art studies began in Kiev and were continued in St. Petersburg and Munich. In Warsaw he was a professor at the School of Fine Arts. He took his students for summer open - air sessions around Poland and to Lithuania and Finland. His seascapes were painted mostly in Finland. His works are mentioned briefly in a review of a show of "Independents" at the Royal Albert Hall, published in The New Age.Krzyżanowski died in Warsaw.






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